| AYTEMİZ PELİN |
Visual Glitches in Studio Photographs from the 1910 to 1930 | The First Century of Photography: Photography as History / Historicizing Photography in Ottoman territories (1839 – 1939) |
2018 |
| AYTEMİZ PELİN |
40ımızçıktı: Mikro-Blog Örneği Olarak 'Kırklanma Töreni' İmgeleri ve Değişen Bellek Platformları | Gelenekselden Dijitale Uluslararası Medya Araştırmaları Sempozyumu |
2018 |
| AYTEMİZ PELİN |
Yas Tutan Kadın: Yasın Görsel Hali Üzerine Semiotik Bir İnceleme | Görsel Kültür ve Kadın Paneli. 20. Uçan Süpürge Uluslararası Kadın Filmleri Festivali |
2017 |
| AYTEMİZ PELİN |
Victims of the Empire: An Analysis on Coetzee's Waiting for the Barbarians | The Ires 113th International Conferences on Economics and Social Sciences. |
2016 |
| AYTEMİZ PELİN |
Virtual Talismans to Stave off the Wicked Eye: The Baby Photographs of Instagram Shielded Behind Emoji | The Left Conference: Photography and Film Criticism |
2016 |
| AYTEMİZ PELİN |
Men On The Verge Of Nerveous Breakdown On Gender Ambiguity in Almodovar s Talk to Her | 94th International Conferences on Economics and Social Sciences (ICESS) |
2016 |
| AYTEMİZ PELİN |
Aesthetic Failures that Subverts the Idea of Perfection in Studio Photographs from Early 1900 s | First International Conference on Humanities and Social Sciences (ICHUSS-1) at St. Thomas’ College |
2016 |
| AYTEMİZ PELİN |
From a Vernacular Photograph to an Icon The Spirited Face of Gezi Park Resistance | MediaAsia 2015 :The Sixth Asian Conference on Media & Mass Communication: Human Rights, Justice, Media and Culture |
2015 |
| AYTEMİZ PELİN |
Looking Through Her Eyes Productive Look in Jean Pierre Jeunet s The Fabulous Destiny of Amelie Poulain | FilmAsia2015: The Fourth Asian Conference on Film & Documentary The International Academic Forum |
2015 |
| AYTEMİZ PELİN |
Storytelling Images Studio Photographs with a Narrative from Late Ottoman Empire to Early Turkish Republic | HISTART: History of Art Conference, DAKAM |
2015 |
| AYTEMİZ PELİN |
Digitally Modified Photographs of the Deceased in Commercial Photography Studios in Turkey | MESA 2014: 48th Annual Meeting. Middle East Studies Association |
2014 |
| AYTEMİZ PELİN |
Manipulated Presences Making Sense of Modified Family Photographs | 4th Global Conference: Digital Memories |
2012 |
| AYTEMİZ PELİN |
Death as Absence Death Related Photographic Representations | 8th Global Conference: Making Sense of Death and Dying, Interdisciplinary.net. |
2011 |
| AYTEMİZ PELİN |
Dead Body in the Kitchen as an Abject Food Cannibalism and Corpse Cooking Films | Cultural Studies, London Consortium, Summer School, The Cultures of Food, Eating and Cooking |
2010 |
| AYTEMİZ PELİN |
Violence that Catches the Eyes of the Children in News Media | 3. Uluslararası Öğrenci Konferansı |
2003 |
| Banu İçağasıoğlu, Pelin Aytemiz |
Reader in the World Stuck in Spider Man s Web | 3. Uluslararası Öğrenci Konferansı |
2003 |
| AYTEMİZ KARSLI PELİN |
Living Image of the Guru: Devotional Imagery in India | Sociology of Religion (SocRel) Annual Conference. British Sociology Association |
2019 |
| AYTEMİZ KARSLI PELİN |
Visual Glitches in Studio Photographs from the 1910 to 1930 | The First Century of Photography: Photography as History/ Historicizing Photography in Ottoman territories (1839 – 1939) / Boğazici University Archives and Document Center |
2018 |
| AYTEMİZ KARSLI PELİN |
The Liminal Body in Medical Imagining Technologies. | CUDES 2018 International Congress on Current Debates in Social Sciences |
2018 |
