| SÜNER MUSTAFA AHMET |
Air, Bubble and the Horrid Image: The Representation of Fear and the Supernatural in Macbeth | Neophilologus, (), 0-0. |
(AHCI) 2019 |
| SÜNER MUSTAFA AHMET |
Frames, World-Pictures and Representations in advance | Idealistic Studies, (), 0-0. |
(AHCI) 2019 |
| SÜNER MUSTAFA AHMET |
What is the Literary Image in 2019? A Reevaluation of Mitchell’s Encyclopedia Entry | Style, 53(1), 59-78. |
(AHCI) 2019 |
| SÜNER MUSTAFA AHMET |
Sartre’s Dessin, Literature and the Ambiguities of the Representing Word | Phenomenology and the Cognitive Sciences, (), 0-0. |
(AHCI) 2019 |
| SÜNER MUSTAFA AHMET |
Beyond Repression and Back to the Secrets of the Familiar: A Critical Look at Freud’s Essay on the Uncanny | Oxford German Studies, 48(2), 196-217. |
(AHCI) 2019 |
| SÜNER MUSTAFA AHMET |
The Elucidatory Uses of Wittgenstein’s Scale of Nonsense in Lewis Carroll’s Wonderland Narratives | Children’s Literature in Education, 50(2), 178-192. |
(AHCI) 2019 |
| SÜNER MUSTAFA AHMET |
On the Contribution of Tenniel’s Illustrations to the Reading of the Alice Books | Children’s Literature in Education, (), 0-0. |
(AHCI) 2018 |
| SÜNER MUSTAFA AHMET |
The Representation of Time, Modernity and Its Prehistory in Dracula | Studia Neophilologica, 90(1), 56-70. |
(AHCI) 2018 |
| SÜNER MUSTAFA AHMET |
The Gothic Horrors of the Private Realm and the Return tothe Public in John Polidori’s The Vampyre | Moderna Sprak, 112(1), 187-200. |
(AHCI) 2018 |
| SÜNER MUSTAFA AHMET |
The Late Victorian Economy of Countenance in Strange Case of Dr. Jekyll and Mr. Hyde | Papers on Language and Literature, 54(3), 219-236. |
(AHCI) 2018 |
| SÜNER MUSTAFA AHMET |
A critical evaluation of Heidegger’s criticism of aesthetics in ‘The Origin of the Work of Art’ | Journal of European Studies, 47(1), 21-33. |
(AHCI) 2017 |
| SÜNER MUSTAFA AHMET |
Spectral Narration and the Houses of Desire in Charlotte Brontë’s Villette | College Literature, 44(3), 315-343. |
(AHCI) 2017 |
| SÜNER MUSTAFA AHMET |
The Comic Tragedy of Mere Men and Women: The Ambiguously Distracting Use of Laughter in The Castle of Otranto and Its Prefaces | Atlantis: Journal of the Spanish Association for Anglo-American Studies, 38(2), 11-26. |
(AHCI) 2016 |
| SÜNER MUSTAFA AHMET |
The Ambiguous Pictures in the Philosophy of Language in Wittgenstein’xxs Tractatus | Acta Philosophica, 25(1), 135-154. |
(AHCI) 2016 |
| SÜNER MUSTAFA AHMET |
Reinventing the everyday in the age of spectacle: Jean-Luc Godard’s artistic and political response to modernity in his early works | Studies in French Cinema, 15(2), 123-137. |
(AHCI) 2015 |
| SÜNER MUSTAFA AHMET |
The Visual Way to Language and Literature in Heidegger’s ‘Work of Art’ Essay | Oxford German Studies, 43(3), 262-282. |
(AHCI) 2014 |
| SÜNER MUSTAFA AHMET |
Ireland, Literature, and Truth: Heideggerian Themes in “The Dead” | Anglia - Zeitschrift für englische Philologie, 127(1), 22-40. |
(AHCI) 2009 |
